This post is a very, very initial attempt to sketch a theory of “transmission.” I develop this idea of transmission in conversation with Jasbir Puar, Joy Division, and Bauhaus. Transmission is an sound-based concept, an attempt to theorize from “the…

Consistent readers of this blog know that I’ve been somewhat interested in the politics of melisma in contemporary pop music. I have a piece on Avril Levigne’s use of melisma to signify both “blackness” and sexual availability you can read…

This post is significantly revised from the 30 August version. After Lady Gaga’s drag king performance at the 2011 MTV VMAs, many people are talking about the gender politics of her performance, its queerness (or not), and especially Britney Spears’…

Much is often made of the queerness of the (Dr) Who-niverse’s Captain Jack Harkness. Sure, he’s played by an openly gay actor, been in same-sex and inter-species relationships, and in the new Starz/BBC collaboration the character is allowed to have…

Schenker and “The Soar”: Modifying tonal conventions for not-really-tonal music

“Rhythm” and “Harmony” are often offered as contrasting, if not opposed, ways of organizing pieces of music. As the famous diagram attests, Western music uses harmony (chords) as its way of organizing pieces of music: all you need to start…

As you know, I’ve been thinking—not primarily, but sort of in the background—about how we subvert or resist Foucaultian “biopower.” I’m not talking about the “disciplinary” aspect—I think Butler gives us a good account of how to subvert discipline (i.e.,…

Now, it’s been a month or so since the conference, but I did take some decent notes. I’m going on these notes, so any and all errors are the fault of my secretarial skills and poor memory. Shannon completely re-thought…

Elaine Miller gave a super-interesting paper on repetition in Nietzsche and Beauvoir. She finds in both a contrast between inauthentic, lazy conceptions of repetition (I’ll call this lazy repetition), and rigorous, accurate accounts of repetition (I’ll call this real repetition)….

I am a huge admirer of Ingrid Monson’s work, and find it hugely influential on my own work (see, for example, my article on hipness in Contemporary Aesthetics). I recently completed Freedom Sounds, her book on the racial politics of…

In this post, I want to talk about several recent phenomena that I think are, if not best, at least usefully interpreted through the lens of my concept “postmillennial (black) hipness”. These phenomena include the “Gay Girl in Damascus” fiasco,…