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Post-Genre Aesthetics, Race, & Gender

March 26, 2015 · by Robin James · in Uncategorized

The virtue of genre-transcending eclecticism is the underlying theme of Jonathan Shecter’s March 2015 interview with Diplo. I want to read this interview closely, to consider how exactly this diversity is described, and in particular how Diplo’s and Shecter’s accounts…

A few thoughts on Coldwaves, WaxTrax!, & feminized care/curatorial labor

September 29, 2014 · by Robin James · in Uncategorized

This year, Coldwaves celebrated the 30th anniversary of Front 242’s first US show at Medusa’s, and also WaxTrax! Records‘s revival. The only reason WaxTrax! is around these days is because of the work Julia Nash (daughter of co-founder Jim Nash)…

Wound Down Inside

August 13, 2014 · by Robin James · in Uncategorized

My new essay on Lana Del Rey, post-maximalist pop, and gender is now up for free at The New Inquiry.   Here’s a sample: Undercutting the sonic impact of a downbeat is not a new thing. In 19th century European…

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Recent Posts

  • Slop as a vector of private interest: abstraction, songwriting, and extraction after the public/private divide
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  • Slop vs. ‘iPod music’: frictionlessness, vibes, and the end of the modern episteme
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  • Slop-doom-ism: a new era for pop music & criticism

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  • Slop as a vector of private interest: abstraction, songwriting, and extraction after the public/private divide on We’re Through Being Cool: techbros, manosphere influencers, Ancient Greek masculinity, and AI
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  • Slop vs. ‘iPod music’: frictionlessness, vibes, and the end of the modern episteme on Slop-doom-ism: a new era for pop music & criticism
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