A few thoughts on Coldwaves, WaxTrax!, & feminized care/curatorial labor
This year, Coldwaves celebrated the 30th anniversary of Front 242’s first US show at Medusa’s, and also WaxTrax! Records‘s revival. The only reason WaxTrax! is around these days is because of the work Julia Nash (daughter of co-founder Jim Nash)…
Music For Drones: The first batch of audio sketches
I’m incredibly excited to post the first batch of audio sketches we’ve made from our initial recordings of a Phantom II quadcopter with a coil/pickup mic. You can find them all here on our soundcloud. I went in and updated…
A short playlist of old pop songs about US warmongering (bc la plus ca change…)
Dead Kennedys, “Kinky Sex Makes the World Go Round” Frankie Goes to Hollywood, “Two Tribes” L7, “Wargasm” Ministry, “NWO” Any more recent songs to add to the list?
Listening & Compression As Metaphors For Algorithmically Curated News Feeds
This is a revised version of a post I originally published on 9/10/14. Thanks for all the feedback! I’m still not finished with this argument, so if you have further ideas, I’d love to talk. In her post on Twitter’s…
On Resilience & ‘Self-Care As Warfare’
I really, really loved Sara Ahmed’s “Self-Care as Warfare.” My responses to it are really oriented by my own perspective as a white woman, as someone who is praised, rewarded, and obligated for resiliently surviving amid all the patriarchal damage…
More on Vibrant Matter: on noise, biopolitics, new paradoxes of whiteness, & why Beauvoiran Freedom is better than Bennettian Vitality
This is yet another installment of Robin blogs her way through the initial research for her new book project. So, all the usual caveats: initial thoughts, raw and unrefined, barf-it-out-in-writing, needs lots of feedback and revision, etc etc. I realize…
On Sound & Biopolitics–my post over at SoundingOut!
I’m incredibly excited to make my debut over at SoundingOut!. My post “‘Cremation of senses in friendly fire’: on sound & biopolitics (via KMFDM & World War Z) went up today. Here’s a sample: There’s a 20-year gap in chronology…
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