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Robin James's research blog & publication/syllabus bank.
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Twitter: @doctaj
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Recent Posts
- Slop as a vector of private interest: abstraction, songwriting, and extraction after the public/private divide
- From “Jesus Take the Wheel” to “Break Stuff”: country-pop girlies in their alt rock era
- Slop vs. ‘iPod music’: frictionlessness, vibes, and the end of the modern episteme
- Its Her Factory Radio August 2026
- Slop-doom-ism: a new era for pop music & criticism
Recent Comments
- Slop as a vector of private interest: abstraction, songwriting, and extraction after the public/private divide on We’re Through Being Cool: techbros, manosphere influencers, Ancient Greek masculinity, and AI
- From “Jesus Take the Wheel” to “Break Stuff”: country-pop girlies in their alt rock era on What 90s alt rock radio, Woodstock 99, and the Telecom Act have to do with contemporary right-wing media
- Slop vs. ‘iPod music’: frictionlessness, vibes, and the end of the modern episteme on Slop-doom-ism: a new era for pop music & criticism
- Slop-doom-ism: a new era for pop music & criticism on In popular music, the “style of late capitalism” is NOTHING
- Slop-doom-ism: a new era for pop music & criticism on Ordinary Slop & Reactionary Centrism, or what Alex Warren’s hit “Ordinary” has in common with AI and Adele’s “Hello”