Sovereign Harmony and Biopolitical Frequency: Or, what Attali and LMFAO can teach us about neoliberalism
“Every major social rupture has been preceded by an essential mutation in the codes of music, in its mode of audition, and in its economy” (Attali, Noise 10).[1] So I’ve been thinking more about this idea of “transmission,” and I’ve…
Come to my talk in Charlotte on Tuesday November 8th!
Tuesday November 8th I’ll be giving a talk about my book, The Conjectural Body: Gender, Race, and the Philosophy of Music, as part of UNC Charlotte’s “Personally Speaking” series. It will take place at the new Uptown Campus at 9th…
From Identity to Profile: Superpanopticism, Race as Technology, and hopefully some clarification for my transnational feminism class
For the past two weeks, my transnational feminism class has been working our way through Jasbir Puar’s Terrorist Assemblages: Homonationalism in Queer Times. We’ve only begun to scratch the surface of this text, and I think many of felt things…
“Gucci Gucci”: Thoughts on “The Biopolitics of Cool”
Shannon Winnubst gave a great paper this past Friday at SPEP. I want to talk about and expand on it here because I take Winnubst and I to be pointing in the same direction, at similar phenomena, but from different…
Video Podcast Introducing Foucault
I teach a lot of texts that presume, use, build on, or critique Foucault’s concepts of juridical, disciplinary, and biopolitical power. So, instead of taking up class time re-hashing the same lecture, I decided to make a video podcast that…
Ada Lovelace Day: Delia Who?
Today is Ada Lovelace Day. In honor of the first person to write what would later be known as a “computer program,” I want to think about women and music technology. Many readers of this blog probably already know who…
The Other Important Musical Release in 1991, or, McClary’s Feminine Endings is 20 years old, but there’s still no feminist philosophy of music
Feminist musicology as we know it is only 20 years old. Susan McClary’s landmark book Feminine Endings: Music, Gender, and Sexuality was released in 1991—the same year that Nirvana broke on pop radio. While the latter release is being widely…
Transmission: Sound, Affect, and Joy Division/New Order
This post is a very, very initial attempt to sketch a theory of “transmission.” I develop this idea of transmission in conversation with Jasbir Puar, Joy Division, and Bauhaus. Transmission is an sound-based concept, an attempt to theorize from “the…
Melismas Like Jagger: on the race/gender politics of Maroon 5’s “Moves Like Jagger”
Consistent readers of this blog know that I’ve been somewhat interested in the politics of melisma in contemporary pop music. I have a piece on Avril Levigne’s use of melisma to signify both “blackness” and sexual availability you can read…
The Gender Difference That Race Makes, The Race Difference That Gender Makes, And The Race/Gender Difference That Music Makes: Joe Calderone, take 2
This post is significantly revised from the 30 August version. After Lady Gaga’s drag king performance at the 2011 MTV VMAs, many people are talking about the gender politics of her performance, its queerness (or not), and especially Britney Spears’…
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